Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.

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This film adaptation of Erich Kästner's book is about a millionaire who wants to travel to a hotel under a false name and test how "normal people" are treated. The hotel staff receive a warning, but mistake another man for the fake millionaire and treat him like God in France, while he doesn't feel the slightest bit of even luxurious treatment

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Alice Tanner, chief analyst of a rating agency, almost made it to the top in the main metropolis of Frankfurt. Then Michael von Marck is served to her as a competitor. Because one of the company chairpersons expressed doubts about Alice's judgment when it became known that she had a one-night stand with a married customer. Alice gets support from her friend from the bowling club and her half-sister: a secretly hidden bug in the men's washroom in the office complex of the rating agency is supposed to reveal the strategies of the male competitors to the female eavesdropper

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